© » KADIST
Chris Wiley
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
© » KADIST
Chris Wiley
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
© » KADIST
Oded Hirsch
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead.
© » KADIST
Eleanor Antin
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.
© » KADIST
Christine Sun Kim
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.
© » KADIST
Gregory Crewdson
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios. These scenes are tangibly atmospheric, visually alluring and often deeply disquieting. Never anchored precisely in time or place, these and the other narratives of Beneath the Roses are rather located in the dystopic landscape of the anxious American imagination.
© » KADIST
Patty Chang
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention.
© » KADIST
Trisha Donnelly
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Félix González-Torres
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris).
© » KADIST
Juliana Huxtable
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom. This composition is stuck to a metal plate by a series of button magnets, with interjecting phrases on them. The juxtaposition between the mysogynistic, almost puritan poetry that stripes across the bottom and the powerful crouching pose that the femme demon assumes inverts the hegemonic text , instead creating a space of alterity.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Stephen G. Rhodes
For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.
© » KADIST
Shahzia Sikander
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China. In this animation, layers of images, abstract forms, meaning, and metaphorical associations slowly unfold at the same time that more visual myths are created. The identity of the protagonist, a red-coated official, is indeterminate and suggestive of both the mercantilist policies that led to the Opium Wars with China and the cultural authority claimed by the Company school of painting over colonial India.
© » KADIST
Gabriel Orozco
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July. I traveled to Mali for three weeks and took some photographs related to my work. They are very different, but there are links as the graveyard of Timbuktu, which I discovered during the trip.
© » KADIST
Gabriel Orozco
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.
© » KADIST
Hank Willis Thomas
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism. Historically, in countries such as the US and South Africa, the term “boy” was used as a pejorative and racist insult towards men of color, slaves in particular, signifying their alleged subservient status as being less than men. In response, Am I Not A Man And A Brother?
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting. Using a found photograph depicting a passionate crowd of African Americans—their attitude suggesting the fervor of a civil-rights era audience— Intentionally Left Blanc reverts in its exposed, “positive” format to an image in which select faces are whitened out and erased, the exact inverse of the same view in its “negative” condition. This dialectic of light and dark re-emerges when we view the same faces again, only this time black and featureless, a scattering of disembodied heads amidst a sea of white.
© » KADIST
Hank Willis Thomas
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
© » KADIST
Hank Willis Thomas
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further.
© » KADIST
Kara Walker
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
© » KADIST
Ari Marcopoulos
A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California. In the past a photograph of marijuana would more likely be found in an evidence file than an art museum or gallery, but today continued debates about the legality of marijuana and the industry surrounding it has brought the substance into common public view. Green Box is a strong example of the current sociopolitical state of California and the grey areas that exist in legislature and at the same time illustrates the unavoidable commercialization of once underground cultures.
© » KADIST
Gabriel Orozco
Gabriel Orozco often documents found situations in the natural or urban landscape. He travels armed with his camera and insightfully captures scenes of the everyday that other people might ignore. Perro en Tlalpan (Dog in Tlalpan, 1992) is a photograph of a dog regally perched under an industrial shelter in the borough of Tlalpan in Mexico City.
© » KADIST
Hank Willis Thomas
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title. As with many of his works, the artist has taken a found image and manipulated it to draw out and dramatize the formal contrast between the black hands holding white cotton. Cotton, of course is one of the most familiar fabric sources to us, and becomes incredibly soft once processed.
Hank Willis Thomas
- location: New York, New York
- year born: 1976
- gender: male
- nationality: American
- home town: Plainfield, New Jersey
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
Lisa Oppenheim
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: New York, New York
Lin Yilin
- location: Beijing & New York
- year born: 1964
- gender: male
- nationality: Chinese
- home town: Guangzhou, China
James Welling
- location: New York, New York; Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Hartford, Connecticut
Kara Walker
- location: New York, New York
- year born: 1969
- gender: female
- nationality: American
- home town: Stockton, California
Ari Marcopoulos
- location: New York, NY
- location: Sonoma, CA
- year born: 1957
- gender: male
- nationality: Dutch
- home town: Amsterdam, Netherlands
Yang Guangnan
- location: New York City, United States
- year born: 1986
- home town: Inner Mongolia, China
Chris Wiley
- location: New York, New York
- year born: 1981
- gender: male
- nationality: British
An-My LE
- location: New York, New York
- year born: 1960
- gender: female
- home town: Saigon, Vietnam
Christine Sun Kim
- location: New York, New York
- year born: 1980
- gender: female
- nationality: American
- home town: Orange County, California
Patty Chang
- location: New York, New York
- year born: 1972
- gender: female
- nationality: American
- home town: San Francisco, California
Valeska Soares
- location: New York, New York
- year born: 1957
- gender: female
- nationality: Brazilian
- home town: Belo Horizonte, Brazil
N. Dash
- location: New Mexico & New York
- year born: 1980
- gender: female
- nationality: American
- home town: Miami Beach, Florida
Trisha Donnelly
- location: New York, New York
- year born: 1974
- gender: male
- nationality: American
- home town: San Francisco, California
Kate Gilmore
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: Washington, D.C.
Shahzia Sikander
- location: New York
- location: Texas
- year born: 1969
- gender: female
- nationality: Pakistani-American
- home town: Lahore, Pakistan
Stephen G. Rhodes
- location: New York, New York
- year born: 1977
- gender: male
- nationality: American
- home town: Houston, Texas
Judy Chicago
- location: Belen, New Mexico
- year born: 1939
- gender: female
- nationality: American
- home town: Chicago, Illinois
Juliana Huxtable
- location: New York, New York
- year born: 1987
- nationality: American
Ed Ruscha
- location: Los Angeles, California
- year born: 1937
- gender: male
- nationality: American
- home town: Omaha, Nebraska
Eleanor Antin
- location: New York, New York
- year born: 1935
- gender: female
- nationality: American
- home town: Bronx, New York
Miguel Angel Rojas
For Colombian artist Miguel Ángel Rojas, issues of economic and social inequality in his native country provide fodder to his artistic practice...
Trevor Paglen
Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...
Pak Sheung Chuen
- location: Hong Kong, China
- year born: 1977
- gender: male
- nationality: Chinese
- home town: Fujian, China
Philip-Lorca diCorcia
The works of Philip-Lorca diCorcia oscillate between two possible definitions of photography – from a recording system in the tradition of documentary and a system of representation in the tradition of fiction...
Xaviera Simmons
- location: Brooklyn, New York
- year born: 1974
- gender: female
- nationality: American
- home town: New York, New York
Glenn Ligon
- location: New York, New York
- year born: 1960
- gender: male
- nationality: American
- home town: Bronx, New York
Gregory Crewdson
- location: New York, New York
- year born: 1962
- gender: male
- nationality: American
- home town: Brooklyn, New York
Oded Hirsch
- location: New York, New York
- year born: 1976
- gender: male
- nationality: Israeli
- home town: Kibbutz Afikim, Israel
© » WHITEHOT
about 3 months ago (02/12/2024)
“Possibly Painting”at Five Myles advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 “Possibly Painting”at Five Myles Roger Loft: Portraits, 2016 – 2023, epoxy, dynel, fiberglass, wood diverse sizes...
© » THEARTNEWSPER
about 3 months ago (02/12/2024)
Historic New York ceramic studio fires up second location Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Pottery news Historic New York ceramic studio fires up second location With its Jones Street home operating at full capacity, Greenwich House Pottery is opening a new outpost in Chelsea Hilarie M...
© » ARTNET
about 3 months ago (02/12/2024)
Freshly-appointed creative director Sabato De Sarno is realizing his sleek new vision for Gucci in both his fashion collections and art curation...
© » COLOSSAL
about 3 months ago (02/08/2024)
British artist David Hockney famously quipped, “Art has to move you and design does not, unless it’s a good design for a bus.” Contemporary Art Underground, a forthcoming book from Monacelli posits that these two facets of visual culture are a match made to move us indeed...
© » THEARTNEWSPER
about 3 months ago (02/06/2024)
Frieze reveals 68 galleries for its next New York fair Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Frieze New York news Frieze reveals 68 galleries for its next New York fair The smallest Frieze fair returns to the Shed in early May Benjamin Sutton 6 February 2024 Share Visitors to the Victoria Miro stand during Frieze New York 2023 Photo by Casey Kelbaugh / CKA...
© » ARTFORUM
about 3 months ago (02/06/2024)
Frieze Announces Participants in 2024 New York Edition – Artforum Read Next: EXPO CHICAGO ANNOUNCES PARTICIPANTS FOR 2024 EDITION Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...
© » HYPERALLERGIC
about 3 months ago (02/05/2024)
7 Art Shows to See in New York, February 2024 Skip to content A detail of Apollinaria Broche’s “I Close My Eyes Then I Drift Away” (2023) at Marianne Boesky Gallery (photo Hrag Vartanian/ Hyperallergic ) The short month of February still packs a lot of art in New York City, from a survey of the influential Godzilla Asian American Arts Network to Apollinaria Broche’s whimsical ceramics and Aki Sasamoto’s experimentations with snail shells and Magic Erasers in her solo show at the Queens Museum...
© » ARTNEWS MARKET
about 3 months ago (01/31/2024)
Independent New York Names Exhibitor List for 2024 Edition in May Skip to main content By Maximilíano Durón Plus Icon Maximilíano Durón Senior Editor, ARTnews View All January 31, 2024 10:00am The 2023 edition of Independent New York...
© » ARTLYST
about 4 months ago (01/17/2024)
Brent Sikkema, the Manhattan art dealer renowned for representing artists such as Jeffrey Gibson and Kara Walker found dead The post Brent Sikkema – Visionary Art Dealer Of Jeffrey Gibson And Kara Walker Murdered appeared first on Artlyst ....
© » ART & OBJECT
about 5 months ago (12/12/2023)
New York City Bill Proposes Amendments to Problematic Monuments | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » WHITEHOT
about 5 months ago (12/12/2023)
Nessim Bassan: Formulas for Resolution advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Nessim Bassan: Formulas for Resolution Nessim Bassan, LOUD!, 2021, watercolor, acrylic & graphite on paper, 14 x 11 in...
© » WHITEHOT
about 5 months ago (12/12/2023)
A conversation with Onyedika Chuke, artist and curator of STORAGE advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 A conversation with Onyedika Chuke, artist and curator of STORAGE Onyedika Chuke...
© » WHITEHOT
about 5 months ago (12/12/2023)
Miami Art Week Fairs (Other Than Art Basel) You Should Know advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Miami Art Week Fairs (Other Than Art Basel) You Should Know Ki Smith and Sono Kuwayama...
© » WHITEHOT
about 5 months ago (12/12/2023)
Enmeshed, Dreams of Water at NARS Foundation advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Enmeshed, Dreams of Water at NARS Foundation Keren Anavy...
© » GALERIE MAGAZINE
about 5 months ago (12/04/2023)
From New York to Los Angeles, 8 Must-See Solo Gallery Shows in December - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view of "Arghavan Khosravi: True to Self" at Rachel Uffner Gallery...
© » APERTURE
about 5 months ago (12/01/2023)
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Over the course of 40 years, Alvin Hall has amassed a trove of blue-chip artists merely by trusting his eye....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Shaun Kardinal has a budget and a home filled with original works...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Francie Bishop Good, an artist herself, can’t resist adding to the collection she and her husband have amassed....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Zoë Buckman has amassed pieces by creators known and unknown, and she has swapped her own work for that of other artists....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Herbert Lust, a friend to artists for more than a half-century, makes a major gift from his expansive holdings to the Hirshhorn Museum....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The Albertina Modern, a satellite of the venerable Vienna institution, aims to highlight overlooked Austrian artists in a newly restored historic building....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The Forge Project, based in the Hudson Valley, is Becky Gochman’s initiative to raise the profile of the artists and find homes for their work in collections and museums....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Over the past 20 years, Reginald Van Lee has acquired a variety of work by African-American artists....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Morehouse donation: A New York businessman donated a $1 million art collection featuring mostly Black and LGBTQ artists | CNN A New York businessman donated a $1 million art collection to Morehouse College By Alaa Elassar , CNN Updated 4:03 AM EST, Sun December 13, 2020 Link Copied! Ad Feedback McArthur Binion, "DNA:Study," 2020 ©McArthur Binion...
© » THE JEALOUS CURATOR
about 24 months ago (05/14/2022)
Can you imagine photographing icons like Betty White and Prince? Well my podcast guest today doesn’t have to imagine… it’s HER JOB!?! Yep, American photographer Mary Ellen Matthews has been the in-house photographer at Saturday Night Live since 1999....
© » ARTMARKETMONITOR
about 36 months ago (05/10/2021)
Sales Report: Frieze New York May 2021 Casey Kelbaugh The report is available to AMMpro subscribers ...
© » RANDIAN ART MARKET
about 53 months ago (12/19/2019)
Faurschou New York resides in a former shoe factory in Brooklyn’s Greenpoint area...
© » PAINTERS' TABLE
about 64 months ago (01/22/2019)
Seen in New York, January 2019 | Painters' Table Skip to main content Seen in New York, January 2019 Submitted by Paul Corio on January 21, 2019...
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1960-1969
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
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1970-1979
Eleanor Antin
1973Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
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1990-1999
Félix González-Torres
1992Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Gabriel Orozco
1992Gabriel Orozco often documents found situations in the natural or urban landscape...
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Ari Marcopoulos
1998A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
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2000-2009
Glenn Ligon
Drawing & Print
2000(Drawing & Print) Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Gabriel Orozco
2002Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Kara Walker
2005In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Kate Gilmore
2008In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
Ari Marcopoulos
2008In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...
Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...
Bjorn Copeland
2009Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
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2010-2019
Stephen G. Rhodes
2010For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Shahzia Sikander
2010The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
An-My LE
2010The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
Yang Guangnan
2011Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Miguel Angel Rojas
Drawing & Print
2011(Drawing & Print) In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Oded Hirsch
2012Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Hank Willis Thomas
2012Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Hank Willis Thomas
2012Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Valeska Soares
2012Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Hank Willis Thomas
2013The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Hank Willis Thomas
2014South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Hank Willis Thomas
Drawing & Print
2014(Drawing & Print) Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Juliana Huxtable
2017Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Xaviera Simmons
2019Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
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2020-2029
Christine Sun Kim
2022Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
